Her recent research projects include Modes of Address in Pictorial Art, a collaboration with psychologists at the Centre for Visual Cognition, University of Southampton.David ThomasDavid Thomas was educated in Australia studying at the University of Melbourne, Monash University and RMIT University, Melbourne. She is Professor of Fine Art at Lancaster University and Associate Editor of Journal of Contemporary Painting.Harland’s research interests include: pictorial modes of address and spectator experience painting and digital imaging notions of temporality in art. Developed here within this fourth exhibition space, the international scope of the artists brings a rich interplay of approaches to concepts of time and duration in painting.Beth HarlandBeth Harland studied at The Ruskin School of Art, Oxford University, and Royal College of Art, London and completed a practice-based PhD at the University of Southampton. This experimental exhibition engages with concepts of time and site-sensitivity as the condition and experience of painting. The artists bring works and materials to the site and collaborate together for a week in response to the exhibition space and each other’s work. Laura Lisbon (United States) was invited to join the collaborative team for the third iteration in the United Kingdom in 2017.Impermanent Durations: On Painting and Time (part 4) builds upon and extends the collaborative process developed in the three previous exhibitions. This led to initial exhibitions in Melbourne and Singapore in 2016. ![]() Walkthrough with Laura Lisbon: Saturday, September 21 | 4:30pmReception: Saturday, September 21 | 5-7PMThe experimental project, Impermanent Durations, was initiated against the backdrop of a long-standing conversation about the possibilities of painting between three established international artists, Beth Harland (United Kingdom), David Thomas (Australia), and Ian Woo (Singapore). ![]() ![]() Add to Calendar 11:00:00 18:00:00 Impermanent Durations: On Painting and Time (part 4)
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